Performs: Tues May 5th @ 4pm and Thurs May 7th @ 8pm
This process of rehearsing a show for remount is a strange and wonderful thing. Strange because things are the same, and yet different; it’s clearly not a new production, and yet it’s not quite the same as the first one either. But this is what’s wonderful about the process as well. What an opportunity it is to come back to characters and a story with the kind of understanding that only a production can give you, and then continue to work! To be able to solidify as well as break open the elements of the original show! To make new discoveries (not least of which is that where once you had space on the stage for entrances and exits, you now have a solid wall…)! This chance to take a second look at our work is a gift, and we are excited to be able to bring this story to life again as part of the City of Wine Festival.Caroline Sniatynski
Performs: Wed May 6 @ noon and Fri May 8 @ 4pm
The writing of this paragraph is wedged between an Italian line run of Laius, and a performance of one of our spring shows! Here, at George Brown Theatre School, we are ending off our year (and time at theatre school) by performing two shows in rep: a Restoration comedy (The Relapse) and a musical (The Baker's Wife). In between 12-hour tech rehearsals, we have been getting together to review blocking, run lines, practice transitions, and review the live music we will have to pull together again for our remount of Laius in May. It is a challenge to keep three shows ready to go at a performance level, but we all feel our acting muscles are the strongest they've ever been -- it is amazing how many worlds we can hold on to at the same time. In fact, leaving this script for days and weeks at a time to enter other characters, examine other issues, and experience other eras has actually sharpened the clarity of the Theban world for me. I have a keener sensorial understanding of what that world feels like, where its moral compass lies, and how its tragedies resonant specifically for the characters. We all look forward to reoopening the world of Thebes with fresh eyes and hearts, especially in the presence of so many other students entering the world with us! We are all also very excited to be hosting so many out-of-towners in our city ... we will welcome them with wine and more wine.
The writing of this paragraph is wedged between an Italian line run of Laius, and a performance of one of our spring shows! Here, at George Brown Theatre School, we are ending off our year (and time at theatre school) by performing two shows in rep: a Restoration comedy (The Relapse) and a musical (The Baker's Wife). In between 12-hour tech rehearsals, we have been getting together to review blocking, run lines, practice transitions, and review the live music we will have to pull together again for our remount of Laius in May. It is a challenge to keep three shows ready to go at a performance level, but we all feel our acting muscles are the strongest they've ever been -- it is amazing how many worlds we can hold on to at the same time. In fact, leaving this script for days and weeks at a time to enter other characters, examine other issues, and experience other eras has actually sharpened the clarity of the Theban world for me. I have a keener sensorial understanding of what that world feels like, where its moral compass lies, and how its tragedies resonant specifically for the characters. We all look forward to reoopening the world of Thebes with fresh eyes and hearts, especially in the presence of so many other students entering the world with us! We are all also very excited to be hosting so many out-of-towners in our city ... we will welcome them with wine and more wine.Leora Morris
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